Leonard Bernstein : tous les albums et les singles

Leonard Bernstein Concertos

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Albums et singles de Leonard Bernstein

Mahler: Symphony No. 3 & Rückert Lieder & Kindertotenlieder

14 Oft Denk Ich, Sie Sind Nur Ausgegangen

18 Lustig Im Tempo Und Keck Im Ausdruck ("es Sungen Drei Engel")

7 Ich Atmet Einen Linden Duft

9 A Tempo

8 Movement Ii. Tempo Di Menuetto. Sehr Mäßig

5 Immer Dasselbe Tempo (marsch). Nicht Eilen

15 Wieder Sehr Gemächlich, Beinahe Langsam

3 Tempo I. Ruhevoll!

5 Tempo I

2 Nicht Mehr So Breit

9 Um Mitternacht

8 Ich Bin Der Welt Abhanden Gekommen

13 Wenn Dein Mütterlein

2 Langsam. Schwer

10 Ganz Plötzlich Gemächlich. Tempo Di Menuetto

16 Movement Iv. Sehr Langsam. Misterioso. Durchaus Ppp ("o Mensch! Gib Acht!")

1 Langsam. Ruhevoll. Empfunden

11 Nun Will Die Sonn So Hell Aufgehn

1 Movement I. Kraftig. Entschieden

11 Movement Iii. Comodo. Scherzando. Ohne Hast

13 Etwas Zurückhaltend - Sehr Gemächlich

7 Tempo I

15 In Diesem Wetter

17 Più Mosso Subito

10 Das Irdische Leben From Des Knaben Wunderhorn

6 Im Alten Marschtempo (allegro Moderato)

4 A Tempo (etwas Bewegter)

12 Nun Seh Ich Wohl, Warum So Dunkle Flammen

12 Wieder Sehr Gemächlich, Wie Zu Anfang

14 Tempo I. Mit Geheimnisvolles Hast!

6 Langsam. Tempo I

4 A Tempo

3 Tempo I

arrow_right Voir les stats de Mahler: Symphony No. 3 & Rückert Lieder & Kindertotenlieder

Sibelius: Symphony No. 2 In D Major & Luonnotar & Pohjola's Daughter

5 Luonnotar (tone Poem) For Soprano And Orchestra, Op. 70

1 I. Allegretto

3 Iii. Vivacissimo; Lento E Suave

2 Ii. Tempo Andante Ma Rubato

4 Iv. Finale: Allegro Moderato

6 Pohjola's Daughter, Op. 49

arrow_right Voir les stats de Sibelius: Symphony No. 2 In D Major & Luonnotar & Pohjola's Daughter

Music Of Our Time

2 Out Of "last Pieces"

3 I

12 Ii. Séquence Du Verbe, Cantique Divin: Dieu Présent En Lui-Meme

11 I. Antienne De La Conversation Intérieure: Dieu Présent En Nous

1 Atmosphères

7 Crescendo E Diminuendo

8 Part One

13 Iii. Psalmodie De L'ubiquité Par Amour: Dieu Présent En Toutes Choses

5 Iii

9 Part Two

4 Ii

6 Iv

10 Part Three

arrow_right Voir les stats de Music Of Our Time

Bernstein Conduit Malher: Symphonies 4 & 5

5 Movement Ii. In Gemächlicher Bewegung. Ohne Hast

2 Tempo I

11 Vorwärts. Poco Più Mosso

7 Ruhevoll

4 Wieder Plötzlich Langsam Und Bedächtig

5 V. Rondo - Finale. Allegro

13 Wieder Lebhaft

2 Ii. Stürmisch Bewegt. Mit Grösster Vehemenz

10 Andante

14 Tempo I. Sehr Zart Und Geheimnisvoll Bis Zum Schluss

3 Part Ii: Iii. Scherzo. Kräftig, Nicht Zu Schnell

12 Movement Iv. Sehr Behaglich

3 Wieder Wie Zu Anfang. Sehr Gemächlich, Behaglich

1 Part I: I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt

4 Part Iii: Iv. Adagietto. Sehr Langsam

6 Nicht Eilen

9 Anmutig Bewegt

1 Movement I. Bedächtig. Nicht Eilen

8 Viel Langsamer

arrow_right Voir les stats de Bernstein Conduit Malher: Symphonies 4 & 5

Beethoven: Symphony Nos. 2 & 7

1 I. Adagio Molto; Allegro Con Brio

3 Iii. Scherzo: Allegro

6 Ii. Allegretto

5 I. Poco Sostenuto - Vivace

8 Iv. Allegro Con Brio

2 Ii. Larghetto

4 Iv. Allegro Molto

7 Iii. Presto - Presto Meno Assai

arrow_right Voir les stats de Beethoven: Symphony Nos. 2 & 7

Bernstein: The 1953 American Decca Recordings

1 Symphony No.3 in E flat, Op.55 -"Eroica": 1. Allegro con brio

2 Symphony No.3 in E flat, Op.55 -"Eroica": 2. Marcia funebre (Adagio assai)

3 Symphony No.3 in E flat, Op.55 -"Eroica": 3. Scherzo (Allegro vivace)

4 Symphony No.3 in E flat, Op.55 -"Eroica": 4. Finale (Allegro molto)

5 Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55, "Eroica"): "Simplicity itself..." (1st movement)

6 Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55, "Eroica"): "I always feel this gigantism" (2nd movt.)

7 Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55, "Eroica"): "We have just been examining..." (3rd movt.)

1 Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55, "Eroica"): "All that we have said" (4th movt.)

2 Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55, "Eroica"): "The study of the Eroica is a lifetime work,..."

3 Symphony No.9 in E minor, Op.95 "From the New World": 1. Adagio - Allegro molto

4 Symphony No.9 in E minor, Op.95 "From the New World": 2. Largo

5 Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace)

6 Symphony No.9 in E minor, Op.95 "From the New World": 4. Allegro con fuoco

7 Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World": 1. "Does this music sound like the New World to you?" (3rd movt., Trio II; 1st movt.)

8 Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World": 2. "We come now to the second movement, which has a charming melody, ..." (2nd movt.)

9 Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World": 3. "The third movement is a marvel of ingenuity and deftness" (3rd movt.)

10 Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World": 4. "And now the last movement. In general I should say that this is the most Slavic of all" (4th movt.)

11 Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World": 5. "The final claim of those who argue for the New World Symphny as American music, ..." (4th movt.,cont.)

1 Symphony No.2 in C, Op.61: 1. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco

2 Symphony No.2 in C, Op.61: 2. Scherzo (Allegro vivace)

3 Symphony No.2 in C, Op.61: 3. Adagio espresssivo

4 Symphony No.2 in C, Op.61: 4. Allegro molto vivace

5 1. "Robert Schumann has been dead..." (3rd movement, opening theme)

6 Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61: 2. "To my mind Schumann follows in this tradition"

7 3. "Now let´s look at the symphony itself" (1st movement)

8 4. "And so we have arrived at the Allegro section..." (1st movt. cont.)

9 5. "In the marvellous Scherzo that follows..." (2nd movt)

10 6. "But perhaps the greatest beauty..." (3rd movt.)

11 7. "Even in the final movement" (4th movt.)

1 Symphony No.4 in E minor, Op.98: 1. Allegro non troppo

2 Symphony No.4 in E minor, Op.98: 2. Andante moderato

3 Symphony No.4 in E minor, Op.98: 3. Allegro giocoso - Poco meno presto - Tempo I

4 Symphony No.4 in E minor, Op.98: 4. Allegro energico e passionato - Più allegro

5 Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 1. "Brahms´ Fourth Symphony in E minor is today ..." (4th movt., opening theme)

6 Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 2. "Our journey begins without introduction..."

7 Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 3. "Do you see now what a symphonic theme is?"

8 Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 4. "Now, think of it - we have so far only had 44 bars of music"

9 Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 5. "Here is that second theme"

10 Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 6. "This brings us to the development section proper"

11 Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 7. And here we are back home, ready for the rehearing of the exposition, ..."

12 Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 8. "So we arrive at the coda"

13 Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 9. "Well, we have had a microscopic look at symphonic method"

1 Symphony No.6 in B minor, Op.74 -"Pathétique": 1. Adagio - Allegro non troppo

2 Symphony No.6 in B minor, Op.74 -"Pathétique": 2. Allegro con grazia

3 Symphony No.6 in B minor, Op.74 -"Pathétique": 3. Allegro molto vivace

4 Symphony No.6 in B minor, Op.74 -"Pathétique": 4. Finale (Adagio lamentoso - Andante)

5 Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 1. "Now there is a melody, a pure orchestral song..." (1st movt.)

6 Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 2. "Now the development section erupts..." (1st movt. cont.)

7 Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 3. "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movt)

8 Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 4. "Jumping now to the famous third movement, the great March..." (3rd movt.)

arrow_right Voir les stats de Bernstein: The 1953 American Decca Recordings

Beethoven: Symphony No. 9 & Fidelio Overture

2 Ii. Molto Vivace

5 Recitativo "o Freunde, Nicht Diese Töne!" - Allegro Assai

3 Iii. Adagio Molto E Cantabile

4 Iv. Presto

1 I. Allegro Ma Non Troppo, Un Poco Maestoso

6 Fidelio Overture, Op. 72b

arrow_right Voir les stats de Beethoven: Symphony No. 9 & Fidelio Overture

Debussy - Orchestral Works

7 Ii. Fjtes. Animi Et Trhs Rythmi - Modiri Mais Toujours Trhs Rythmi - De Plus En Plus Sonore Et En Serrant Le Mouvement

5 Jeux - Pohme Dansi - Trhs Lent - Scherzando - Mouvement Du Prilude - Assez Animi - Mouvement De Valse - Mouvement Du Prilude

3 Iii. Dialogue Du Vent Et De La Mer. Animi Et Tumultueux

4 Prilude ` L'aprhs-Midi D'un Faune - Trhs Modiri

1 I. De L' Aube ` Midi Sur La Mer. Trhs Lent

6 I. Nuages. Modiri - Un Peu Animi

2 Ii. Jeux De Vagues. Allegro

arrow_right Voir les stats de Debussy - Orchestral Works

Brahms: Symphony No. 2 In D Major & Symphony No. 3 In F Major

4 Iv. Allegro Con Spirito

3 Iii. Allegretto Grazioso; Presto Ma Non Assai

5 I. Allegro Con Brio

2 Ii. Adagio Non Troppo

7 Iii. Poco Allegretto

6 Ii. Andante

8 Iv. Allegro

1 I. Allegro Non Troppo

arrow_right Voir les stats de Brahms: Symphony No. 2 In D Major & Symphony No. 3 In F Major

Brahms: Symphony No. 1; Serende No. 2

6 Ii. Scherzo. Vivace - Trio

7 Iii. Adagio Non Troppo

3 Iii. Un Poco Allegretto E Grazioso

5 I. Allegro Moderato

4 Iv. Adagio - Piy Andante - Allegro Non Troppo, Ma Con Brio

2 Ii. Andante Sostenuto

9 V. Rondo. Allegro

1 I. Un Poco Sostenuto - Allegro

8 Iv. Quasi Menuetto - Trio

arrow_right Voir les stats de Brahms: Symphony No. 1; Serende No. 2

Schumann: Symphonies Nos.3 & 4

3 Iii. Nicht Schnell

4 Iv. Feierlich

6 I. Ziemlich Langsam; Lebhaft

2 Ii. Scherzo: Sehr Mässig

8 Iii. Scherzo: Lebhaft

7 Ii. Romanze: Ziemlich Langsam

9 Iv. Langsam; Lebhaft

5 V. Lebhaft

1 I. Lebhaft

10 Manfred Overture, Op. 115

arrow_right Voir les stats de Schumann: Symphonies Nos.3 & 4

Pierre Et Le Loup

1 Peter And The Wolf, Op. 67

2 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Theme A: Allegro maestoso e largamente (Full Orchestra)

3 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Theme B: (Woodwinds)

4 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Theme C: (Brass)

5 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Theme D: (Strings)

6 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Theme E: (Percussion)

7 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Theme F: (Full Orchestra)

8 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation A: (Piccolo & Flutes)

9 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation B: Lento (Oboes)

10 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation C: Moderato (Clarinets)

11 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation D: Allegro alla marcia (Bassoons)

13 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation F: Meno mosso (Violas)

14 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation G: (Cellos)

15 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation H: Comminciando lento ma poco a poco accel. (Double basses)

16 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation I: Maestoso (Harp)

17 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation J: L'istesso tempo (French Horns)

18 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation K: Vivace (Trumpets)

19 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation L: Allegro pomposo (Trombones & Tuba)

20 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation M: Moderato (Percussion)

21 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Fugue: Allegro molto (Full Orchestra)

12 The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell, Op. 34: Variation E: Brillante - alla polacca (Violins)

arrow_right Voir les stats de Pierre Et Le Loup

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