Bernstein: The 1953 American Decca Recordings
Leonard Bernstein
Date de sortie: 14 mars 2005
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Symphony No.3 in E flat, Op.55 -"Eroica": 1. Allegro con brio
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Symphony No.3 in E flat, Op.55 -"Eroica": 2. Marcia funebre (Adagio assai)
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Symphony No.3 in E flat, Op.55 -"Eroica": 3. Scherzo (Allegro vivace)
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Symphony No.3 in E flat, Op.55 -"Eroica": 4. Finale (Allegro molto)
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Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55, "Eroica"): "Simplicity itself..." (1st movement)
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Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55, "Eroica"): "I always feel this gigantism" (2nd movt.)
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Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55, "Eroica"): "We have just been examining..." (3rd movt.)
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Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55, "Eroica"): "All that we have said" (4th movt.)
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Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55, "Eroica"): "The study of the Eroica is a lifetime work,..."
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Symphony No.9 in E minor, Op.95 "From the New World": 1. Adagio - Allegro molto
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Symphony No.9 in E minor, Op.95 "From the New World": 2. Largo
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Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace)
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Symphony No.9 in E minor, Op.95 "From the New World": 4. Allegro con fuoco
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Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World": 1. "Does this music sound like the New World to you?" (3rd movt., Trio II; 1st movt.)
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Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World": 2. "We come now to the second movement, which has a charming melody, ..." (2nd movt.)
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Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World": 3. "The third movement is a marvel of ingenuity and deftness" (3rd movt.)
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Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World": 4. "And now the last movement. In general I should say that this is the most Slavic of all" (4th movt.)
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Musical Analysis: Bernstin on Dvorák, Symphony No.9, op.95, "From the New World": 5. "The final claim of those who argue for the New World Symphny as American music, ..." (4th movt.,cont.)
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Symphony No.2 in C, Op.61: 1. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
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Symphony No.2 in C, Op.61: 2. Scherzo (Allegro vivace)
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Symphony No.2 in C, Op.61: 3. Adagio espresssivo
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Symphony No.2 in C, Op.61: 4. Allegro molto vivace
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1. "Robert Schumann has been dead..." (3rd movement, opening theme)
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Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61: 2. "To my mind Schumann follows in this tradition"
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3. "Now let´s look at the symphony itself" (1st movement)
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4. "And so we have arrived at the Allegro section..." (1st movt. cont.)
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5. "In the marvellous Scherzo that follows..." (2nd movt)
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6. "But perhaps the greatest beauty..." (3rd movt.)
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7. "Even in the final movement" (4th movt.)
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Symphony No.4 in E minor, Op.98: 1. Allegro non troppo
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Symphony No.4 in E minor, Op.98: 2. Andante moderato
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Symphony No.4 in E minor, Op.98: 3. Allegro giocoso - Poco meno presto - Tempo I
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Symphony No.4 in E minor, Op.98: 4. Allegro energico e passionato - Più allegro
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Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 1. "Brahms´ Fourth Symphony in E minor is today ..." (4th movt., opening theme)
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Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 2. "Our journey begins without introduction..."
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Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 3. "Do you see now what a symphonic theme is?"
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Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 4. "Now, think of it - we have so far only had 44 bars of music"
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Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 5. "Here is that second theme"
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Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 6. "This brings us to the development section proper"
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Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 7. And here we are back home, ready for the rehearing of the exposition, ..."
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Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 8. "So we arrive at the coda"
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Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 9. "Well, we have had a microscopic look at symphonic method"
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Symphony No.6 in B minor, Op.74 -"Pathétique": 1. Adagio - Allegro non troppo
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Symphony No.6 in B minor, Op.74 -"Pathétique": 2. Allegro con grazia
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Symphony No.6 in B minor, Op.74 -"Pathétique": 3. Allegro molto vivace
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Symphony No.6 in B minor, Op.74 -"Pathétique": 4. Finale (Adagio lamentoso - Andante)
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Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 1. "Now there is a melody, a pure orchestral song..." (1st movt.)
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Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 2. "Now the development section erupts..." (1st movt. cont.)
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Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 3. "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movt)
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Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 4. "Jumping now to the famous third movement, the great March..." (3rd movt.)
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