Azealia Banks | Fantasea II: The Second Wave

[Elyes]

Elle a twitté : Diss Track? No. puis Hot Track? Yes.

 

Un autre :

 

 

 

 

!

[Invité mjbfrenchfan]

Comment je vais acheter son album à elle ... laisse tomber

[DooWop]

Je kiffe son flow, truc de malade...

La prod c'est du Diplo, je ne peux qu'aimer.

[Riva-Rocci]

Sublime , Ce Flow , Cette Prod'

[Jojo.]

vous êtes sur que L'EP va sortir demain ou est déjà sortie?

 

J'ai demandé à la maison de disques française sur Twitter et on m'a dit que l'EP était reporté (sans me donner de date).

[Jordan421]

merci ^^

je m'y attendais

[Tchoutchou]

Fais chier. Bon je me contenterais de Fuck Up the Fun, je kiffe trop ce morceau

[Phunk Spector]

Nouveau shoot pour Interview Magazine :

 

 

“They’ll forget your name soon,” Azealia Banks warns haters in her breakout Internet smash, “212.” Banks herself shouldn’t worry about fading from pop-culture memory anytime soon. The 20-year-old New Yorker has proven to be one of music’s most intriguing new shape-shifters since she started posting songs and videos online a few years ago. Fast-forward to today, and her cheeky black-and-white video for “212” has amassed more than three million-plus YouTube hits. What’s fresh about Banks is how she combines audacious charisma with lyrical naughtiness and genre hop-scotching: Over ultrafuturistic dance grooves, she sings like a bird (check out her glistening cover of Interpol’s “Slow Hands”) and spits rhymes like a sexpot (“I guess that cunt gettin’ eaten” goes the unforgettable hook of “212”), forging an irrepressible persona in the process. “The beats are like scripts, and the raps are my monologue,” says Banks, who studied musical theater before she took to the mike. Her frankness also makes for good copy: Her shots at newcomer Kreayshawn made their way around the Web in January, and she’s also voiced her opinions about Nicki Minaj, a fellow outspoken female MC, and graduate of New York’s LaGuardia High School (known to most as the setting for the movie Fame [1980]). “I don’t want to talk about Nicki Minaj anymore,” Banks groans. “At this point, I’m being scrutinized for everything.” Understandably, Banks doesn’t want anything to mitigate her speedy trajectory. She’s already collaborated with Paul Epworth—hitmaker for the likes of Adele and Florence + the Machine—and signed a major-label deal with Universal, which will release her debut album this fall. Karl Lagerfeld even invited her to perform at his home in Paris at a gala celebrating the launch of his new line, Karl. It’s all been quite a journey for Banks, whose current jet-set lifestyle belies her hardscrabble beginnings: Her father died when she was 2, and she was raised in Harlem by her mother. “Nowadays when I walk around, I get noticed, which is kind of weird,” Banks says. “It’s really just starting to hit me. For me, a 20-year-old girl from Harlem, it’s like . . . What?”

[Ayden Fantasy]

J'aime Fuck Up The Fun!! La prod est bonne et le flow déglingue

[Paris By Night]

Diplo a presque rien foutu, l'instru provient de DJ Master-D (qui a été zappé sur les crédits) :

 

http://soundcloud.com/dj-masterd/dj-master-d-mad-drumz

[Phunk Spector]

Nouveau shoot pour GQ Magazine :

 

 

 

 

[Phunk Spector]

L'EP sortira finalement le 17 Avril

 

[Morangos]

J'aime.

Ce nouveau son serait un diss contre Iggy Azaela.

 

On sait ce qu'il se passe entre elles ? Ce serait un diss genre Lil Kim / Minaj, ou pour d'autres raisons ?

Sinon, le titre est très très bon.

[Son Of A Preacher Man]

Je dois passer à coté d'un truc mais j'ai écouté quelques titres dont 212 et ......rien !

 

Ce n'est peut etre tout simplement pas un style que j'affectionne...

[Morangos]

Ou peut-être que tu n'accroches pas sur le moment. De toute façon, l'EP arrive sous peu, tu seras très certainement fixé de manière définitive sur le sujet.