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Jordi Savall

Erasmus - Praise Of Folly (english Version)

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Ecouter Music: Folias (Imperfectas)
Music: Folias (Imperfectas)
Ecouter Narration I (1): "By Her Mere Presence, Folly Dissipates the Cares of her Audience"
Narration I (1): "By Her Mere Presence, Folly Dissipates the Cares of her Audience"
Ecouter La Folia: "Yo Soy La Locura"
La Folia: "Yo Soy La Locura"
Ecouter Narration III (2): "On How Folly Is Prompted to Sing her Own Praises"  / Music: Passamezzo Antico
Narration III (2): "On How Folly Is Prompted to Sing her Own Praises" / Music: Passamezzo Antico
Ecouter Narration VII (3): Folly’s Origins
Narration VII (3): Folly’s Origins
Ecouter Recercada quarta sobre la Folia
Recercada quarta sobre la Folia
Ecouter Narration VIII (4): "Her Birthplace, Her Infancy" / Music: Folias de la costa (Harp)
Narration VIII (4): "Her Birthplace, Her Infancy" / Music: Folias de la costa (Harp)
Ecouter Narration IX (5): "Her Followers"  / Music: Folias de la costa (Cont.)
Narration IX (5): "Her Followers" / Music: Folias de la costa (Cont.)
Ecouter La Gamba In Basso, E Soprano (1564)
La Gamba In Basso, E Soprano (1564)
Ecouter Narration X (6): "Folly’s Claims to be Admitted to the Council of the Goddesses / Music: Romanesca
Narration X (6): "Folly’s Claims to be Admitted to the Council of the Goddesses / Music: Romanesca
Ecouter Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
Ecouter Narration XI (7): "On How She Perpetuates the Human Race" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
Narration XI (7): "On How She Perpetuates the Human Race" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
Ecouter Narration XII (8): "On How She is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
Narration XII (8): "On How She is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
Ecouter Si habrá en este baldrés (C. M. Palacio No. 179)
Si habrá en este baldrés (C. M. Palacio No. 179)
Ecouter Narration XIII (9): "Of the Connection Between Folly and Childhood and the Second Childhood of Old Age" / Music: Las Vacas (Improvisation Harp)
Narration XIII (9): "Of the Connection Between Folly and Childhood and the Second Childhood of Old Age" / Music: Las Vacas (Improvisation Harp)
Ecouter Diferencias Sobre Las Vacas (Anonymous Improvisation)
Diferencias Sobre Las Vacas (Anonymous Improvisation)
Ecouter Narration XIV (10): "On How She Prolongs Infancy and Halts Old Age"  / Music: Folías antiguas (C. M. Palacio No. 121)
Narration XIV (10): "On How She Prolongs Infancy and Halts Old Age" / Music: Folías antiguas (C. M. Palacio No. 121)
Ecouter Narration XVI (11): "Of Folly’s Pre-Eminence in the World"  / Music: Harke, harke (Gamba Viol)
Narration XVI (11): "Of Folly’s Pre-Eminence in the World" / Music: Harke, harke (Gamba Viol)
Ecouter Browning my Dear
Browning my Dear
Ecouter Narration XIX (12): "Folly Is Necessary to Friendship" / Music: Belle qui tiens ma vie (Harp Improvisation)
Narration XIX (12): "Folly Is Necessary to Friendship" / Music: Belle qui tiens ma vie (Harp Improvisation)
Ecouter Narration XX (13): "There Is No Lasting Marriage Without the Complicity of Folly" / Music (Cont.): Belle qui tiens ma vie (Harp Improvisation)
Narration XX (13): "There Is No Lasting Marriage Without the Complicity of Folly" / Music (Cont.): Belle qui tiens ma vie (Harp Improvisation)
Ecouter Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94)
Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94)
Ecouter Narration XXI (14): "Folly Is the Blessing of Human Society"  / Music: Paduana del re (Mss Venezia)
Narration XXI (14): "Folly Is the Blessing of Human Society" / Music: Paduana del re (Mss Venezia)
Ecouter Todos los buenos soldados (La Guerra)
Todos los buenos soldados (La Guerra)
Ecouter Narration XXIII (15): "She Inspires Warfare" / Music: Pavana La Battaglia
Narration XXIII (15): "She Inspires Warfare" / Music: Pavana La Battaglia
Ecouter Narration XXV (16): "Of the Inferiority of Wisdom in all of Life’s Circumstances"  / Music: Vederlo (Improvisation)
Narration XXV (16): "Of the Inferiority of Wisdom in all of Life’s Circumstances" / Music: Vederlo (Improvisation)
Ecouter Narration XXVIII (17): "She Is the Mother of the Arts" / Music: My Lady Carey’s Dompe / Danse Tune English Tradition (Harp)
Narration XXVIII (17): "She Is the Mother of the Arts" / Music: My Lady Carey’s Dompe / Danse Tune English Tradition (Harp)
Ecouter Saltarello (Mss. Venezia)
Saltarello (Mss. Venezia)
Ecouter Narration XXIX (18): "She Claims the Credit for True Wisdom"  / Music: Las Vacas (Harp Improvisation)
Narration XXIX (18): "She Claims the Credit for True Wisdom" / Music: Las Vacas (Harp Improvisation)
Ecouter Narration XXX (19): "On Folly as a Guide Towards Wisdom"  / Music: Pavana con su Glosa
Narration XXX (19): "On Folly as a Guide Towards Wisdom" / Music: Pavana con su Glosa
Ecouter Narration XXXII (20): "Of the Relationship Between Folly and Ignorance"  / Music: Desperada (Elizabethan)
Narration XXXII (20): "Of the Relationship Between Folly and Ignorance" / Music: Desperada (Elizabethan)
Ecouter La Spagna (XVth Century)
La Spagna (XVth Century)
Ecouter Narration LV (21): "Folly of Kings"  / Music: Las Vacas (Romanesca)
Narration LV (21): "Folly of Kings" / Music: Las Vacas (Romanesca)
Ecouter Narration LVII – LIX (22): "Folly of Bishops, Cardinals and Supreme Pontiffs"  / Music: Estas noches a tan largas (Instrumental - C. M. Calabria No. 26)
Narration LVII – LIX (22): "Folly of Bishops, Cardinals and Supreme Pontiffs" / Music: Estas noches a tan largas (Instrumental - C. M. Calabria No. 26)
Ecouter Narration LXVI (23): "Relationship Between the Christian Religion and Folly"  / Music: Patres nostri peccaverunt (C. M. Montecassino No. 2)
Narration LXVI (23): "Relationship Between the Christian Religion and Folly" / Music: Patres nostri peccaverunt (C. M. Montecassino No. 2)
Ecouter Narration LXVII (24): "Folly is the Sovereign Good" / Music: Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434)
Narration LXVII (24): "Folly is the Sovereign Good" / Music: Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434)
Ecouter Diferencias Sobre ‘Las Vacas’ (Harp)
Diferencias Sobre ‘Las Vacas’ (Harp)
Ecouter Narration LXVIII (25): "Farewell to the Reader" / Music: Folias Portuguesas (Harp)
Narration LXVIII (25): "Farewell to the Reader" / Music: Folias Portuguesas (Harp)
Ecouter Villancico (Égloga 6): Hoy comamos y bevamos (C. M. Palacio No. 174)
Villancico (Égloga 6): Hoy comamos y bevamos (C. M. Palacio No. 174)
Ecouter Makam “Muhayyer pesrev” (Ottoman War March)
Makam “Muhayyer pesrev” (Ottoman War March)
Ecouter Narration 1: "Letter by Erasmus. The War Against the Turks" / Music: Taksim (Improvisation Santur)
Narration 1: "Letter by Erasmus. The War Against the Turks" / Music: Taksim (Improvisation Santur)
Ecouter Saltarello: Une musque de Buscaye (Instrumental)
Saltarello: Une musque de Buscaye (Instrumental)
Ecouter A Florence la joyose cité (C. M. Montecassino No. 6)
A Florence la joyose cité (C. M. Montecassino No. 6)
Ecouter Narration 2, Adage 145: "Fortune Smiles on the Bold" / Music: Fortuna desperata
Narration 2, Adage 145: "Fortune Smiles on the Bold" / Music: Fortuna desperata
Ecouter Audi, benigne Conditor (C. M. Montecassino No. 40)
Audi, benigne Conditor (C. M. Montecassino No. 40)
Ecouter Taskim & Dance (Ottoman)
Taskim & Dance (Ottoman)
Ecouter Narration 3: "Erasmus of Rotterdam and the Jews" / Music: Las estrellas de los cielos (Sephardic)
Narration 3: "Erasmus of Rotterdam and the Jews" / Music: Las estrellas de los cielos (Sephardic)
Ecouter Lavava y suspirava (Anonymous Sephardic)
Lavava y suspirava (Anonymous Sephardic)
Ecouter Malor me bat (Odhecaton, No. 63)
Malor me bat (Odhecaton, No. 63)
Ecouter Benedic anima mea (Ps. 103, 1-3)
Benedic anima mea (Ps. 103, 1-3)

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